Adams, Ansel
Alvarez Bravo, Manuel
Avedon, Richard
Bernhard, Ruth
Blossfeldt, Karl
Blumenfeld, Erwin
Brandt, Bill
Brassaï
Callahan, Harry
Caponigro, Paul
Cartier-Bresson, Henri
Clergue, Lucien
Cunningham, Imogen
Disfarmer, Mike
Drtikol, Frantisek
Evans, Walker
Frank, Robert
Giacomelli, Mario
Gibson, Ralph
Haas, Ernst
Hosoe, Eikoh
Kertész, André
Koudelka, Josef
Lartigue, Jacques-Henri
Man Ray
Metzker, Ray
Moholy-Nagy, László
Munkácsi, Martin
Newton, Helmut
Outerbridge, Paul
Salgado, Sebastião
Sieff, Jeanloup
Siskind, Aaron
Sommer, Frederick
Steichen, Edward
Stieglitz, Alfred
Strand, Paul
Sturges, Jock
Sudek, Josef
Weston, Edward
White, Minor
Martin Munkácsi
Martin Munkácsi (1896–1963) began working as a photojournalist in Hungary and already established a name for himself while still in his twenties, with sports action shots a specialty. He then moved to Germany where his dazzling and innovative photo essays for the Berliner Illustrierte Zeitung garnered him further renown. With the rise of Hitler Munkácsi emigrated to the United States, and there during the thirties he revolutionized the style of fashion photography, working for Harper's Bazaar under Carmel Snow and Alexei Brodovitch. His combination of spontaneity and joie de vivre with formal richness earned him eulogies from the likes of Henri Cartier-Bresson and Richard Avedon.
Munkácsi, Martin.
Text by John Rawlings.
Nudes.
New York: Greenberg, 1951.
Munkácsi, Martin.
Munkácsi: Spontaneity and Style.
New York: International Center of Photography, 1978.
White, Nancy and John Esten.
Style in Motion: Munkácsi Photographs of the '20s, '30s, and '40s.
New York: Clarkson N. Potter, 1979.
Munkácsi, Martin.
Text by Otto Heuer.
Martin Munkácsi.
Bielefeld, Düsseldorf: Edition Marzona, 1980.
Munkácsi, Martin.
Biographical profile by Susan Morgan.
Martin Munkácsi.
New York: Aperture, 1992.
Honnef, Klaus, and Enno Kaufhold.
Edited by F. C. Gundlach.
Foreword by Richard Avedon.
Martin Munkácsi.
Göttingen: Steidl, 2006.
