Photographers
Abbott, Berenice
Adams, Ansel
Alvarez Bravo, Manuel
Avedon, Richard
Bernhard, Ruth
Blossfeldt, Karl
Blumenfeld, Erwin
Brandt, Bill
Brassaï
Callahan, Harry
Caponigro, Paul
Cartier-Bresson, Henri
Clergue, Lucien
Cunningham, Imogen
Disfarmer, Mike
Drtikol, Frantisek
Evans, Walker
Frank, Robert
Giacomelli, Mario
Gibson, Ralph
Haas, Ernst
Hosoe, Eikoh
Kertész, André
Koudelka, Josef
Lartigue, Jacques-Henri
Man Ray
Metzker, Ray
Moholy-Nagy, László
Munkácsi, Martin
Newton, Helmut
Outerbridge, Paul
Salgado, Sebastião
Sieff, Jeanloup
Siskind, Aaron
Sommer, Frederick
Steichen, Edward
Stieglitz, Alfred
Strand, Paul
Sturges, Jock
Sudek, Josef
Weston, Edward
White, Minor
Adams, Ansel
Alvarez Bravo, Manuel
Avedon, Richard
Bernhard, Ruth
Blossfeldt, Karl
Blumenfeld, Erwin
Brandt, Bill
Brassaï
Callahan, Harry
Caponigro, Paul
Cartier-Bresson, Henri
Clergue, Lucien
Cunningham, Imogen
Disfarmer, Mike
Drtikol, Frantisek
Evans, Walker
Frank, Robert
Giacomelli, Mario
Gibson, Ralph
Haas, Ernst
Hosoe, Eikoh
Kertész, André
Koudelka, Josef
Lartigue, Jacques-Henri
Man Ray
Metzker, Ray
Moholy-Nagy, László
Munkácsi, Martin
Newton, Helmut
Outerbridge, Paul
Salgado, Sebastião
Sieff, Jeanloup
Siskind, Aaron
Sommer, Frederick
Steichen, Edward
Stieglitz, Alfred
Strand, Paul
Sturges, Jock
Sudek, Josef
Weston, Edward
White, Minor
Eikoh Hosoe
Eikoh Hosoe (1933- ) is among Japan's most pre-eminent photographers and cultural ambassadors. His photographic manipulations serve to heighten the dramatic, elemental, and psychological intensity of his images, as seen especially in the collaborations with Butoh dancer Tatsumi Hijikata and author Yukio Mishima. Though renowned for his studies of naked flesh, his subject matter has also included stark landscapes, cityscapes, and the architecture of Gaudi.
Hosoe, Eikoh.
Otoko to Onna / Man and Woman.
Tokyo: CamerArt Inc., 1961.
Hosoe, Eikoh.
With Yukio Mishima. Barakei / Killed by Roses.
Tōkyō: Shūeisha, 1963, 1971.
Furuta, Miyuki.
Photographs by Eikoh Hosoe.
Why, Mother, Why? The Tragedy and Triumph of a Little Girl in Poetry and Pictures.
Tokyo: Kodansha International, 1965.
Lifton, Betty Jean.
Photographs by Eikoh Hosoe.
Taka-chan and I: A Dog’s Journey to Japan, by Runcible as told to Betty Jean Lifton.
New York: Norton, 1967.
Hosoe, Eikoh.
Preface by Shuzo Takiguchi.
Kamaitachi / The Weasel's Sickle.
Tokyo: Gendaishichosha, 1969.
Lifton, Betty Jean.
Photographs by Eikoh Hosoe.
A Dog’s Guide to Tokyo.
New York: Norton, 1969.
Lifton, Betty Jean.
Photographs by Eikoh Hosoe.
Return to Hiroshima.
New York: Atheneum, 1970.
Hosoe, Eikoh.
Preface by Yukio Mishima.
Hōyō / Embrace.
Tokyo: Shashin Hyoronsha, 1971.
Hosoe, Eikoh.
Edited by Constance McCabe.
Eikoh Hosoe: Photographs 1960-1980.
Rochester, NY: Dark Sun Press, 1982.
Hosoe, Eikoh.
Human Body.
Tokyo: NGS (Nippon Geijutsu Shuppansha), 1982.
Hosoe, Eikoh.
Gaudi.
Tōkyo: Shūeisha, 1984.
Hosoe, Eikoh.
Preface by Yukio Mishima; photographers’s note by Eikoh Hosoe; afterword by Mark Holborn.
Ba-ra-kei / Ordeal by Roses: Photographs of Yukio Mishima.
New York: Aperture, 1985, 2002.
Lifton, Betty Jean.
Photographs by Eikoh Hosoe.
A Place Called Hiroshima.
Tokyo, New York: Kodansha International, 1985.
Hosoe, Eikoh.
Afterword by Ronald J. Hill.
Eikoh Hosoe.
Carmel, CA: Friends of Photography, 1986.
Hosoe, Eikoh.
Eikoh Hosoe: Meta.
Los Angeles, CA: Curatorial Assistance, Inc., 1991.
Hosoe, Eikoh.
Essay by Mark Holborn.
Eikoh Hosoe.
New York: Aperture Foundation, 1999, 2005.
Hosoe, Eikoh.
Edited by the Yamagata Museum of Art.
Eikoh Hosoe: Photographs 1950-2000.
Tōkyō: Kyōdō Tsūshinsha, 2000.
Hosoe, Eikoh.
Luna Rosa.
Japan: Phillip Galgiani, 2000.
Hosoe, Eikoh.
Performance by Tatsumi Hikikata; preface by Shuzo Takiguchi.
Kamaitachi.
New York: Aperture, 2005.
Hosoe, Eikoh.
The Butterfly Dream: Kazuo Ohno.
Kyoto: Seigensha, 2006.
