f o t o b i b l i o g r a f i c a

Imogen Cunningham

Imogen Cunningham (1883-1976) carved out her own distinctive place among the preeminent photographers of American modernism. She was one of the founding members of the group F-64, and is best known for her close-up studies of plant forms as well as her portraits and nudes.

Cunningham, Imogen.
Introduction by Margaretta Mitchell.
After Ninety.
Seattle: University of Washington Press, 1977.

Dater, Judie.
Imogen Cunningham: A Portrait.
Boston: New York Graphic Society, 1979.

Cunningham, Imogen.
Text by John Carden Campbell.
Drawings by David Richardson.
Two Dogs Plus.
Sausalito, CA: Deer Creek Press, 1984.

Cunningham, Imogen.
Edited by Amy Rule.
Imogen Cunningham: Selected Texts and Bibliography.
Boston: G. K. Hall, 1992.

Cunningham, Imogen.
Cunningham, Imogen.
Text by Richard Lorenz.
Imogen Cunningham: The Modernist Years.
Tokyo: Treville Publishing, 1993.

Cunningham, Imogen.
Introduction by Pradip Malde.
Preface by P. Celina Lunsford.
Imogen Cunningham: The Poetry of Form.
Schaffhausen: Edition Stemmle, 1993.

Lorenz, Richard.
Imogen Cunningham, Ideas Without End: A Life in Photographs.
San Francisco: Chronicle Books, 1993.

Cunningham, Imogen.
Text by Richard Lorenz.
Imogen Cunningham: Flora.
Boston: Bullfinch Press, 1996.

Cunningham, Imogen.
Text by Richard Lorenz.
Imogen Cunningham: Portraiture.
Boston: Bullfinch Press, 1997.

Cunningham, Imogen.
Text by Richard Lorenz.
Imogen Cunningham: On the Body.
Boston: Bullfinch Press, 1998.

Heiting, Manfred, editor.
Essay by Richard Lorenz, with a personal portrait by Edward Weston.
Imogen Cunningham, 1883-1976.
Köln, New York: Taschen, 2001.

Cunningham, Imogen.
Edited by Bruce Weber, Nan Bush and Leslie Lambert.
Mother’s Days.
New York: Little Bear Press, 2002.